World War II veteran Ray LeClair relives his marches through a haze of alcoholism on Winnipeg's Historic Main Street. The film draws from Ray's two battlefields, war and the street.
Wes Hurley's autobiographical tale of growing up gay in Soviet Union Russia, only to escape with his mother, a mail order bride, to Seattle to face a whole new oppression in his new Christian fundamentalist American dad.
This film weaves across sound, image, time, rhythm and place and is made up of a number of layers both sound and visual layered on top of one another, talking to and informing each other.
This documentary reports on the master potter Otto Engelmann from Klingmühl, who was commissioned to make black painted clay heads of Karl Marx in the spring of 1973.
Shot in Quebec, Canada, The Subterranean Blackness of Roots is a 16mm film triptych which uses several processes specific to analog cinema (hand processing, optical printing, photochemical alteration).
In a French seaside town, at a boarding house for civil servants recovering from surgery and maladies, the six male residents' lives change dramatically when two women arrive: Catherine, lively, sexually liberated, willing to kiss, dance, and sleep with the men, and Leonie, reserved, formal, conservative.