Set to Holst's Mars, the Bringer of War, Bill Etra's original performance on 9 B&W monitors was shot in real-time on 16mm color film by Woody Vasulka. The 16mm film added some unexpected and welcome color effects that lend themselves to the composition and the choice was made to leave them in.
This Spanish-Italian co-production tells the story of a man who feels deep guilt for the death of his wife: he, an alcoholic, is convinced that he accidentally caused her fatal fall in their house while he was drunk.
The film by Brakhage commonly referred to as "Wecht" does indeed exist. It doesn't have a titlecard at the head, and the leader of the original is labeled "Portrait" in Stan's handwriting, so I'm not sure where the 'Wecht' title comes from.
A guardian angel agrees to help Willie Mays win the National League Pennant if Mays agrees to take care of Veronica, a lonely, mischievous orphan girl.