Pear I illustrates Herbert's obsession with patterns of color as he dallies over curtains, quilts, toys, flowers and other objects, and over lean, youthful bodies that are perfect physical specimens, changing the aura of the figures with bluish, yellowish, dusky reddish and tannish tones.
A dramatised documentary which explores ghetto life as seen and felt inside Harlem, based on experiences of the Northside Centre for Child Development.
The film by Brakhage commonly referred to as "Wecht" does indeed exist. It doesn't have a titlecard at the head, and the leader of the original is labeled "Portrait" in Stan's handwriting, so I'm not sure where the 'Wecht' title comes from.
A group of ruthless Chicago mob enforcers are sent to Kansas City to settle things with the owner of a slaughterhouse who has taken money that is not his to keep.
This Spanish-Italian co-production tells the story of a man who feels deep guilt for the death of his wife: he, an alcoholic, is convinced that he accidentally caused her fatal fall in their house while he was drunk.
A guardian angel agrees to help Willie Mays win the National League Pennant if Mays agrees to take care of Veronica, a lonely, mischievous orphan girl.
In a French seaside town, at a boarding house for civil servants recovering from surgery and maladies, the six male residents' lives change dramatically when two women arrive: Catherine, lively, sexually liberated, willing to kiss, dance, and sleep with the men, and Leonie, reserved, formal, conservative.
Comments
Have you watched Pear I yet? What did you think about it?