I admit today, I benefited at the time of the shooting of this short film with an experimental character from the complicity of a former classmate, son of the boss of this garment factory. I had interfered by making it seem like I was shooting a document about the manufacturing of overalls. But I was there to illustrate the words of a young worker, daughter of a militant CGT of the railway and activist cégétiste herself. The film includes two parts: the ritual of punching out from the first to the last worker and the jostle of the exit into the bicycle garage. The first part is interspersed with 5 mini-sequences of work symbolizing the sum of 40 weekly hours.
Delia Peletier has been paid to have a child for a wealthy man who wants an heir. She has the baby and turns it over to her "employer," but subsequently decides she wants the child back.
After a peaceful sailboat ride, four young people, including rich kid Bill, Joe, Fred and Jane, knock on the door of a secluded villa after their dune buggy runs out of gas.
“It’s not how it used to be.” The words of Cézar Néwashish resonate throughout this short documentary that explores the history of the Atikamekw community of Manawan, Quebec.
In a French seaside town, at a boarding house for civil servants recovering from surgery and maladies, the six male residents' lives change dramatically when two women arrive: Catherine, lively, sexually liberated, willing to kiss, dance, and sleep with the men, and Leonie, reserved, formal, conservative.
A frustrated Frankfurt innkeeper is recruited as an agent for the "Gehlen Organization" and after a short training period, during which he is familiarized with sophisticated espionage methods, he takes his first steps as a spy.
Comments
Have you watched POINTEUSE ET APRES (LA) yet? What did you think about it?
