Paul McCarthy’s “Red Poster Tapes,” created in 1971-72, faithfully carry out a series of straightforward but bizarre instructions: “I Smear Vaseline on Our Legs With a Pipe,” “I Break Pencils With My Teeth,” “Karen Releases a Rabbit at Night,” “I Eat All I Can and Laugh.”
In a French seaside town, at a boarding house for civil servants recovering from surgery and maladies, the six male residents' lives change dramatically when two women arrive: Catherine, lively, sexually liberated, willing to kiss, dance, and sleep with the men, and Leonie, reserved, formal, conservative.
After a Chinese restaurant in Rome is threatened by the mafia, who will stop at nothing to acquire the property, the owner recruits a family friend in Hong Kong, kung fu expert Tang Lung, to help them defend their business.
During the Japanese occupation of Shanghai, Chen Zhen, the star pupil of a recently-deceased martial arts teacher battles a Japanese dojo which seeks the demise of his fighting school.
“It’s not how it used to be.” The words of Cézar Néwashish resonate throughout this short documentary that explores the history of the Atikamekw community of Manawan, Quebec.
A dramatised documentary which explores ghetto life as seen and felt inside Harlem, based on experiences of the Northside Centre for Child Development.