Invited to shoot the cover for their 1972 album Exile on Main St., Robert Frank developed a relationship with the Rolling Stones that extended beyond Cocksucker Blues to include this Super 8 short, a jittery montage of the band slumming on Skid Row in downtown Los Angeles and gadding about in Mick Jagger’s rented Bel-Air mansion that Frank wryly contrasted with images of poor Black street buskers on the Bowery. Graphic designer John Van Hamersveld ended up using still images and film strips from the Super 8 footage to create collages for the album’s back cover and inner sleeves; the original material is on view in the exhibition Life Dances On. — Museum of Modern Art
Hopelessly inept clod Finster Fahrquart desperately tries to get into the swing of the 70's sexual revolution and figure out a way to succeed with the ladies.
Young adventurer Gipo owns one fifth of a rock illustrating the location of a rich gold mine. Risking his life more than once and with the help of the beautiful hooker, Lulu Belle, our hero sets out to recover the missing pieces.
In a French seaside town, at a boarding house for civil servants recovering from surgery and maladies, the six male residents' lives change dramatically when two women arrive: Catherine, lively, sexually liberated, willing to kiss, dance, and sleep with the men, and Leonie, reserved, formal, conservative.
A dramatised documentary which explores ghetto life as seen and felt inside Harlem, based on experiences of the Northside Centre for Child Development.
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Have you watched Rolling Stones Super 8 Footage yet? What did you think about it?