“This film is the starting point of a continuous investigation into ways of presenting cubist space in terms of the flat surface of the film screen. The film image is the view through a window, the window-frame providing a constant spatial reference point, as the view beyond is modified by a series of major and minor variations in camera viewpoint. The film is presented un-edited just as it was filmed in the camera. The patterns of camera movement are not the product of a pre-given shooting script, but rather they evolved actually at the time of filming.” – William Raban
Sandro, a detective, finds his wife strangled. His girl-friend Tiffany, who works as photographer, makes a "Blow up" from a photo, what Sandro finds beside the victim.
The story of the last days of Austrian farmer Franz Jägerstätter (1907-43), who was executed by the Nazi regime because of his refusal to compromise with a perverse system.
In 1913, in Oklahoma, oil derrick owner Lena Doyle, aided by her father and a hobo, is stubbornly drilling for oil despite the pressure from major oil companies to sell her land.
The story of a peasant whose harshness and bluntness only provoke disputes and anger, and his honesty and sense of truth and honor in conjunction with the previous qualities only exacerbate these disputes.
Sam and Buddy, two highway robbers, join with Colonel Quint, a big crook, who sold his services to Morgan, the banker, in order to free Baby, the banker's daughter, abducted by Espartero and his killers gang.
