Bert Deling's surreal, button-pushing and hallucinogenic paean to the emerging possibilities of avant-garde and homemade filmmaking. Telling the tale of a violent ex-cop searching for the man who killed his partner, the film takes an unexpected turn when he encounters drug lord Plastic Man and a tribe of LSD enthusiasts. What follows is both literal and metaphorical mayhem as the boundaries of the film start collapsing and our idea of what's real is pushed to its very limits.
After his young lover, Gitone, leaves him for another man, Encolpio decides to kill himself, but a sudden earthquake destroys his home before he has a chance to do so.
Beat Takeshi lives the busy and sometimes surreal life of a showbiz celebrity. One day he meets his blond lookalike named Kitano, a shy convenience store cashier, who, still an unknown actor, is waiting for his big break.
Karrer plods his way through life in quiet desperation. His environment is drab and rainy and muddy. Eaten up with solitude, his hopelessness would be incurable but for the existence of the Titanik Bar and its beautiful, haunting singer.
In 1950s rural Idaho, a young boy watches helplessly as his friends and brother fall under the spell of a mysterious widow living up the road and becomes convinced that she is a vampire.
Glen doesn't dare tell his fiancée Barbara that he is a transvestite; in addition, Alan is undergoing medical treatment to become a woman named Anne; both stories are told by a psychiatrist.
The story tracks the unhealthy and abusive relationship between an unnamed man and his wife in the days following his return to north eastern Tangshan.
A cut out second take digital redux from my digital hand held camera from Bert Deling's 1973 visionary and Situationist/ Jean Luc Godard inspired film "Dalmas" ...
Popular movie trailers from 1973
These some of the most viewed trailers for movies released in 1973:
The innkeeper Barnabáš and the teacher Isidor Slovíčko succumb to the lure of old Moreles, to whom the young Taussig sends enthusiastic letters from America.
In this film the director's recurring concerns return: the divisions in the Chilean left, and its contradictions between what the director calls the "traditional" and the "revolutionary" left.
A couple is suffering from sexual estrangement. The husband is having an affair with his secretary and the wife takes up with Sandra an interior decorator.
The Sienese Pia Tolomei is imprisoned in a castle by a jealous husband. Based on the novel by Marguerite Yourcenar, inspired by a story from the Italian Middle Ages.
Abel Hradscheck, the owner of an inn in the Oderbruch country, faces financial ruin. For this state of affairs, Ursula, his wife and former actress, is by no means free of blame.
