In the space of a few minutes we witness the passage from the presentation of the most typical didactic codes of documentary language to the hermetic production of the artist's own voice, which delivers a speech made up solely of numbers and different expressive intonations, while the images pass from the fixed shot of a numerical sequence transformed into a visual pattern to the black screen until, in that darkness, the sound is interrupted as if by the sudden jamming of an audio tape.
A young bank teller, literally allergic to paper money, becomes the worst nightmare of his best customer, a wealthy butcher who manages his business unscrupulously.
Abel Hradscheck, the owner of an inn in the Oderbruch country, faces financial ruin. For this state of affairs, Ursula, his wife and former actress, is by no means free of blame.
Pa, a moonshining chicken farmer, is worried that his dim-witted son Junior is becoming way more attracted to their cow Sassy Sue than he should be, so he sets out to gather up all the nubile young farmgirls in the area and get them to show Junior what he's missing.
The story of a peasant whose harshness and bluntness only provoke disputes and anger, and his honesty and sense of truth and honor in conjunction with the previous qualities only exacerbate these disputes.
A couple is suffering from sexual estrangement. The husband is having an affair with his secretary and the wife takes up with Sandra an interior decorator.
Sandro, a detective, finds his wife strangled. His girl-friend Tiffany, who works as photographer, makes a "Blow up" from a photo, what Sandro finds beside the victim.
