In the space of a few minutes we witness the passage from the presentation of the most typical didactic codes of documentary language to the hermetic production of the artist's own voice, which delivers a speech made up solely of numbers and different expressive intonations, while the images pass from the fixed shot of a numerical sequence transformed into a visual pattern to the black screen until, in that darkness, the sound is interrupted as if by the sudden jamming of an audio tape.
Two rival street gangs from Kowloon go to war over turf and bar girls so as to dominate the area and maximize their takings; however things go from bad to worse as the girls start to get involved in the bloody feud.
The unexpected return of his ex-wife and the assembly of a group of protesters both threaten to wreck a corrupt contractor's inauguration party for his new superhighway.
Abel Hradscheck, the owner of an inn in the Oderbruch country, faces financial ruin. For this state of affairs, Ursula, his wife and former actress, is by no means free of blame.
It is 1905. The police director gets Jindrich Legenda (Eduard Cupák) shadowed as, yet Legenda had served his sentence for a burglary, the jewels have not been found.
The story of a peasant whose harshness and bluntness only provoke disputes and anger, and his honesty and sense of truth and honor in conjunction with the previous qualities only exacerbate these disputes.
In 1913, in Oklahoma, oil derrick owner Lena Doyle, aided by her father and a hobo, is stubbornly drilling for oil despite the pressure from major oil companies to sell her land.
