Working with Virgil’s four-part poem “Georgics” and Antonio Vivaldi’s concertos “The Four Seasons” as models, Gottheim arranged his painterly compositions into four distinct sections, each edited according to its own exacting pattern. The seasonal flux thus informs both the form and content of the image, with the basic elements of trees, sky, hills and the occasional crisscrossing clothesline filmed in every imaginable light.
A small portrait of the volatility of intimacy and of breaking free from abusive cycles: made in response to a year of collapsing relationships and violent accidents that left me broken, dislocated and stuck in my apartment.
A Schmelzdahin short wherein a print of a portion of Nosferatu (including the iconic shot of the vampire on the boat) has been degraded and abstracted through the bacterialogical decomposition, disintegration, and chemical processes Schmelzdahin would use.
The main protagonist is a young fellow who tries to live his life within 30 frames. He's a person suitable for any atmosphere, which makes him different from the rest.
Experimental film by Toshio Matsumoto created for the 1970 world's fair, Expo '70 in Osaka. The film was made up of multiple projections onto the inside of the Textile Pavilion, a dome with an interior designed by Yokoo Tadanori, and featured a 57-channel music score by Joji Yuasa.
Sam and Buddy, two highway robbers, join with Colonel Quint, a big crook, who sold his services to Morgan, the banker, in order to free Baby, the banker's daughter, abducted by Espartero and his killers gang.
Don Serafin has a complex: to all the beautiful women always seen with a beard. To remove the complex and try to cure him, his friends will lead to Biarritz.
In 1913, in Oklahoma, oil derrick owner Lena Doyle, aided by her father and a hobo, is stubbornly drilling for oil despite the pressure from major oil companies to sell her land.
