OPERA MORTEM is a medium-length film with strong surrealist/dadaist influences where distorted and disturbing images are shown without a real narrative thread which could be a visual dream of death that intersects the story of a suicidal girl and a necrophiliac killer. According to some theological scholars, the film hides a metaphorical evocative code of a satanic ritual. But perhaps David Fleas only followed the manifesto of the Dadaist movement, between anarchist, nihilistic and sarcastic ideas, giving voice to the search for that absolute freedom that art demands.
A photographer's obsessive pursuit of dark subject matter leads him into the path of a serial killer who stalks late night commuters, ultimately butchering them in the most gruesome ways.
A young woman's visit to her grandparents' home leads to the discovery of what's brought them happiness, a revelation that will lead her to question her choices, sanity and reality itself.
Composed of three episodes—titled Kali, Shakti, and Devi—and linked within a narrative framework, it tells the story of the Taylor-Eriksson group, its members, and their extreme practices in search of awareness and liberation from karma.
Abel Hradscheck, the owner of an inn in the Oderbruch country, faces financial ruin. For this state of affairs, Ursula, his wife and former actress, is by no means free of blame.
Shanta Dhamle lives a wealthy lifestyle in Bombay along with her dad, Shamrao, and mom, Ansuya. She incurs their displeasure when she falls in love and gets married to a poor and overly sensitive writer, Gopal, who moves in with them, and continues to suffer verbal abuse at Shamrao's hands.
In 1913, in Oklahoma, oil derrick owner Lena Doyle, aided by her father and a hobo, is stubbornly drilling for oil despite the pressure from major oil companies to sell her land.
Sandro, a detective, finds his wife strangled. His girl-friend Tiffany, who works as photographer, makes a "Blow up" from a photo, what Sandro finds beside the victim.
