This is not so much a film about a park, or a record of the people passing through the park. Here the camera is not a passive observer, nor is it used as a surveillance device. Rather, the camera in Park Film, like the passers by who trigger its shutter, is an active participant in the interaction between a park and the city which surrounds it.
It is 1905. The police director gets Jindrich Legenda (Eduard Cupák) shadowed as, yet Legenda had served his sentence for a burglary, the jewels have not been found.
A young bank teller, literally allergic to paper money, becomes the worst nightmare of his best customer, a wealthy butcher who manages his business unscrupulously.
Sam and Buddy, two highway robbers, join with Colonel Quint, a big crook, who sold his services to Morgan, the banker, in order to free Baby, the banker's daughter, abducted by Espartero and his killers gang.
The story of a peasant whose harshness and bluntness only provoke disputes and anger, and his honesty and sense of truth and honor in conjunction with the previous qualities only exacerbate these disputes.
Pa, a moonshining chicken farmer, is worried that his dim-witted son Junior is becoming way more attracted to their cow Sassy Sue than he should be, so he sets out to gather up all the nubile young farmgirls in the area and get them to show Junior what he's missing.
Cliff works as a narcotics investigator for the police and infiltrate a mafia gang. Soon it turns out that Cliff has bigger plans than just to bust bad guys.