Live 1973 concert performances by celebrated Polish-American virtuoso concert pianist Arthur Rubinstein, with the Concertgebouw Orchestra under conductor Bernard Haitink. Filmed in August 1973 at the Concertgebouw in Amsterdam, the performances include Beethoven's Third Piano Concerto, in C minor, op. 37; and Brahms's First Piano Concerto, in D minor, op. 15. These are followed by four short pieces for solo piano, by Schubert, Brahms, and Chopin. The 2008 DVD release by Deutsche Grammophon also includes a short documentary, "Rubinstein at 90", an interview with Robert MacNeil, filmed at Rubinstein's home in Paris in 1977.
There are only a couple of DVD recordings of Mozart's Symphony No. 40. Fortunately, this one by Karl Bohm, recorded live in Vienna's Musikvereinssaal, is excellent, as are the other Mozart symphonies on this DVD.
Leonard Bernstein made these recordings during his wonderfully productive collaboration with the Wiener Philharmoniker in the mid-1970s when he was at the peak of his career.
The Süddeutsche Zeitung summed up this highly acclaimed performance of Bruckner's monumental Fifth Symphony by saying: Both Bruckners belief in God, as it majestically wells up out of the chorale of the Fifth, and his deeply tragic world view, collide with one another in Barenboims interpretation.
Surely Bach’s French Suites, which he composed during his years at Cöthen (1717–1723), are among the finest inducements to practise that any teacher has ever made to a pupil.
Filmed on tour at Berlin's Philharmonie, this account of the valedictory Ninth Symphony is an intense interpretation, expressing Bernstein's conviction that modern man had at last caught up with the message encoded in Mahler's last completed work.
For Mahlerites, his symphonies are much more than musical performances--they can be an emotional or spiritual journey through the struggles, fears, and triumphs of life.
Karajan conducts these symphonies with eyes closed, often intently enraptured by the music, smiling occasionally when a passage or solo sounds just right to his ear.
Two rival street gangs from Kowloon go to war over turf and bar girls so as to dominate the area and maximize their takings; however things go from bad to worse as the girls start to get involved in the bloody feud.
In this film the director's recurring concerns return: the divisions in the Chilean left, and its contradictions between what the director calls the "traditional" and the "revolutionary" left.
Abel Hradscheck, the owner of an inn in the Oderbruch country, faces financial ruin. For this state of affairs, Ursula, his wife and former actress, is by no means free of blame.
Sandro, a detective, finds his wife strangled. His girl-friend Tiffany, who works as photographer, makes a "Blow up" from a photo, what Sandro finds beside the victim.
Sam and Buddy, two highway robbers, join with Colonel Quint, a big crook, who sold his services to Morgan, the banker, in order to free Baby, the banker's daughter, abducted by Espartero and his killers gang.
