Television Delivers People is a seminal work in the now well-established critique of popular media as an instrument of social control that asserts itself subtly on the populace through “entertainments,” for the benefit of those in power—the corporations that mantain and profit from the status quo. While canned Muzak plays, a scrolling text denounces the corporate masquerade of commercial television to reveal the structure of profit that greases the wheels of the media industry. Television emerges as little more than a insidious sponsor for the corporate engines of the world. By appropriating the medium he is criticizing—using television, in effect, against itself—Serra employs a characteristic strategy of early, counter-corporate video collectives—a strategy that remains integral to video artists committed to a critical dismantling of the media’s political and ideological stranglehold.
A recent widow has invited a group of family friends to her large and secluded country home. However, what the guests don't know is that the reason they've been assembled is that their host suspects one of them might be her husband's killer and she's intent on uncovering the identity of his murderer.
It is 1905. The police director gets Jindrich Legenda (Eduard Cupák) shadowed as, yet Legenda had served his sentence for a burglary, the jewels have not been found.
Two rival street gangs from Kowloon go to war over turf and bar girls so as to dominate the area and maximize their takings; however things go from bad to worse as the girls start to get involved in the bloody feud.
Don Serafin has a complex: to all the beautiful women always seen with a beard. To remove the complex and try to cure him, his friends will lead to Biarritz.
Cliff works as a narcotics investigator for the police and infiltrate a mafia gang. Soon it turns out that Cliff has bigger plans than just to bust bad guys.
Abel Hradscheck, the owner of an inn in the Oderbruch country, faces financial ruin. For this state of affairs, Ursula, his wife and former actress, is by no means free of blame.
Cartoon adaptation of the classic of world literature by Alexandre Dumas, which tells the dramatic odyssey of Edmond Dantes since he's unjustly accused and sentenced for life.
