Tracy Fleming is a widowed police officer, with a young son, who has risen to the role of plainclothes operative. After six women have been raped and killed, Fleming agrees to go undercover in an effort to make herself a target for the killer. The climax places her in a life-and-death struggle with the killer.
When Grizz, Panda, and Ice Bear's love of food trucks and viral videos get out of hand, the brothers are now chased away from their home and embark on a trip to Canada, where they can live in peace.
Ruth Sherwood and her sister, Eileen, have moved to 1935 Greenwich Village. They're surrounded by colorful Village characters (including an out-of-work football player known as the Wreck, and Mr.
When socialite and heiress Julie Wardh begins receiving blackmail letters attributed to a mysterious serial killer, she suspects her cruel and sadistic former lover Jean is behind them.
A ruthless gangster named Don is killed during a scuffle with the police. Since only DSP D'Silva knows of this incident, he recruits Vijay, who is a spitting image of Don, to replace the original Don and infiltrate his gang.
A violent thriller set in the outback of remote La Plata region, I'LL NEVER DIE ALONE (aka NO MORIRE SOLA) is a tough and pounding story of revenge for rape, mercilessly carried out by a group of women intent on pursuing their attackers to the bitter end.
The head of an elite Hong Kong surveillance unit keeps one eye on his rookie apprentice and the other on a notorious criminal he suspects of masterminding a recent jewel heist in this tense thriller from filmmaking duo Johnnie To and Nai-Hoi Yau.
With King Richard off to the Crusades, Prince John and his slithering minion, Sir Hiss, set about taxing Nottingham's citizens with support from the corrupt sheriff - and staunch opposition by the wily Robin Hood and his band of merry men.
The story of a peasant whose harshness and bluntness only provoke disputes and anger, and his honesty and sense of truth and honor in conjunction with the previous qualities only exacerbate these disputes.
In this film the director's recurring concerns return: the divisions in the Chilean left, and its contradictions between what the director calls the "traditional" and the "revolutionary" left.
