He is a sales rep. She is a secretary. They live in the suburbs but she works in Paris. They don't see much of each other and spend much of their time in commuter trains. They try desperately to change job locations to be more often together, but... The plot is not the important thing in the film ; what makes it emblematic of the early and mid-seventies is the insouciant atmosphere. The '74 oil crisis had not yet morphed into a recession, and life was good - even though it was as hard as ever to find a home near one's workplace (or the reverse) ! Marthe Keller and Jacques Higelin are both excellent. The movie is not an all-time great, but it captures the "zeitgeist" of French life in the Seventies.
Shanta Dhamle lives a wealthy lifestyle in Bombay along with her dad, Shamrao, and mom, Ansuya. She incurs their displeasure when she falls in love and gets married to a poor and overly sensitive writer, Gopal, who moves in with them, and continues to suffer verbal abuse at Shamrao's hands.
A man befriends a fellow criminal as the two of them begin serving their sentence on a dreadful prison island, which inspires the man to plot his escape.
It is 1905. The police director gets Jindrich Legenda (Eduard Cupák) shadowed as, yet Legenda had served his sentence for a burglary, the jewels have not been found.
A gunfighting stranger comes to the small settlement of Lago. After gunning down three gunmen who tried to kill him, the townsfolk decide to hire the Stranger to hold off three outlaws who are on their way.
Sandro, a detective, finds his wife strangled. His girl-friend Tiffany, who works as photographer, makes a "Blow up" from a photo, what Sandro finds beside the victim.
