Traumatografo is a film, the principal purpose of which is to comfort those who fear death by the gallows or scaffold. It is divided into three parts: in the first, slaughter by automobile is shown; in the third, by military engagements; in the center section children pantomime syncopated movements from top to bottom. The secret, twilight imaginings of a wreckless character in the horrifying motion of falling or ejection in triplicate from an auto-trauma-mobile, the alternation—through the manipulation—of his original motion, offers us, as a source of comfort, the bicorporeal vision of him as he travels along the parabola of his fall from a residual sequence of a most personal and fatal leap.
The film is a series of comical musical numbers and skits following Phil Harris around, starting with him performing at the Cocoanut Grove nightclub, which is listened to by Dorothy on the radio whose home-brewing husband Walter hates Harris.
Joe Cobb is a wealthy child who longs for a baby brother. His nursemaid takes him to the other side where he meets some kids his age (the rest of Our Gang) where Joe offers three dollars for a baby.
"Sugar" is an elegiac short film directed by filmmaker, Michael Patti. Michael sought to tell a story of grief, patience, the overwhelming aspects of parenthood and the understanding that we are all connected.
They set off, looking for work in far-off places, but disappeared along the way. Inspired by Shiv Kumar Batalvi’s “birha” poetry, the film traces the longing on both sides: on the part of those who are missing, and those that wait for them to return.
A couple is suffering from sexual estrangement. The husband is having an affair with his secretary and the wife takes up with Sandra an interior decorator.
Abel Hradscheck, the owner of an inn in the Oderbruch country, faces financial ruin. For this state of affairs, Ursula, his wife and former actress, is by no means free of blame.
A young bank teller, literally allergic to paper money, becomes the worst nightmare of his best customer, a wealthy butcher who manages his business unscrupulously.
In this film the director's recurring concerns return: the divisions in the Chilean left, and its contradictions between what the director calls the "traditional" and the "revolutionary" left.
