"Eight directors capture what the naked eye cannot see - official film of the 1972 Munich Summer Olympics"20 August 1973Factual110 mins
Eight acclaimed filmmakers bring their unique and differing perspectives to the 1972 Summer Olympic Games held in Munich. The segments include Lelouch's take on Olympic losers and their struggle to remain dignified even in the face of bitter disappointment and defeat; Zetterling's dramatic exploration of the world of weightlifting; and Pfleghar's piece on young Russian gymnast Ludmilla Tourischev's majestic performance on the uneven bars.
In the geriatric care section of the Charles Foix d’Ivry hospital, Thierry Thieû Niang, a famous choreographer, is running a dance workshop for Alzheimer’s patients.
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Each year, 60,000 people from around the globe gather in a dusty windswept Nevada desert to build a temporary city, collaborating on large-scale art and partying for a week before burning a giant effigy in a ritual frenzy.
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Visions of Eight - Trailer
Visions of Eight David Wolper's ambitious production devoted to the Games of the XX Olympiad Munich 1972 comprises eight segments by an impressive ...
Visions of Eight (1973) (German)
Eight filmmakers' view on the Olympic Games of 1972. With a very nice soundtrack by Henry Mancini.
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The story of a peasant whose harshness and bluntness only provoke disputes and anger, and his honesty and sense of truth and honor in conjunction with the previous qualities only exacerbate these disputes.
A couple is suffering from sexual estrangement. The husband is having an affair with his secretary and the wife takes up with Sandra an interior decorator.
It is 1905. The police director gets Jindrich Legenda (Eduard Cupák) shadowed as, yet Legenda had served his sentence for a burglary, the jewels have not been found.
Sam and Buddy, two highway robbers, join with Colonel Quint, a big crook, who sold his services to Morgan, the banker, in order to free Baby, the banker's daughter, abducted by Espartero and his killers gang.
Abel Hradscheck, the owner of an inn in the Oderbruch country, faces financial ruin. For this state of affairs, Ursula, his wife and former actress, is by no means free of blame.
In this film the director's recurring concerns return: the divisions in the Chilean left, and its contradictions between what the director calls the "traditional" and the "revolutionary" left.