Among the most inventive and influential bands in the history of popular music, 10cc are one of the very few acts to have achieved commercial, critical and creative success in equal measure. In 1974, Lol Creme and Kevin Godley of 10cc invented a nifty little musical device that should have revolutionized the guitar world. The Gizmotron® was an attachable device that had the ability to create “authentic sounds of such stringed instruments as violins, violas and cellos,” and maintain “infinite sustain.” It was a remarkable invention by any standards and should have achieved what it said on the can and made much moolah for its inventors. Sadly, it hasn’t yet. However, it was (unfortunately) part of the reason why 10cc split-up in 1976. 01 - Silly Love 02 - Wall Street Shuffle 03 - Baron Samedi 04 - Old Wild Men 05 - Oh Effendi 06 - Fresh Air For My Mama 07 - Rubber Bullets
A sequence of musical scenes that define a tender and romantic story, typical of a fairy tale: that is what the theatrical version of Flinderella, which took place in 2004 at the Teatro Gran Rex, is all about.
Multi-Platinum selling country superstar George Strait is captured for the first time on video in this dynamic concert performance shot at the Dallas Reunion Arena on New Years night 1986/1987.
As Tobias, a young director, supposes that his girl-friend Ellen had an affair with his brother Markus, front man of "Hansen", one year ago, he decides to shoot a documentary about the band's next tour.
From the rains of Japan, through threats of arrest for 'public indecency' in Canada, and a birthday tribute to her father in Detroit, this documentary follows Madonna on her 1990 'Blond Ambition' concert tour.
Beyond Silence is about a family and a young girl’s coming of age story. This German film looks into the lives of the deaf and at a story about the love for music.
A ruthless real estate agent discovers a passion for piano and auditions with help from a young virtuoso, but the pressures of his corrupt career threaten to derail his musical aspirations.
Allied to a four-year Daily Mirror campaign by John Pilger that helped achieve compensation for many of the forgotten and mostly working class victims of the notorious drug prescribed to women during pregnancy.
A collage film, a dialogue between mother and the unborn child, the film can be seen as a personal self-analysis by René Paquot, who dreamily delivers his conflicts with maternal, medical and religious authority.
Assured that it's a joke, a berated wife makes a deal with a local Satan occultist for the death of her irritating husband and finds that the Devil doesn't play games.
