Les Blank's first feature-length documentary captures music and other events at Leon Russell's Oklahoma recording studio during a three-year period (1972-1974).
The Bellas are back, and they are better than ever. After being humiliated in front of none other than the President of the United States of America, the Bellas are taken out of the Aca-Circuit.
The film describes the microcosmos of the small village Wacken and shows the clash of the cultures, before and during the biggest heavy metal festival in Europe.
VH1's annual Mother's Day celebration salutes moms everywhere. Anthony Anderson and La La Anthony hosted the event, which included performances by Ashanti, Monica, Luke James, H.
Filmed and Recorded Live at Ryman Auditorium, Nashville, Tennessee, on September 14, 2015, Nitty Gritty Dirt Band and Friends - Circlin' Back: Celebrating 50 Years captures a group of longtime road warriors who've yet to lose their grit, joined onstage by John Prine, Sam Bush, Vince Gill, Jerry Jeff Walker, Alison Krauss, Rodney Crowell, Byron House, and Jerry Douglas.
Alternative movies trailers for A Poem Is a Naked Person
More movie trailers, teasers, and clips from A Poem Is a Naked Person:
A Poem is a Naked Person Official Trailer 1 (2015) - Documentary HD
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A POEM IS A NAKED PERSON - Trailer
Book now at: Backbeat | D Les Blank | USA 1974 2015 Honky-tonk hero Leon Russell is captured in ...
A Poem is a Naked Person | Accepted Film 2015 | SXSW
An ineffable mix of unbridled joy and vérité realism A POEM IS A NAKED PERSON presents the beloved singer-songwriter and Rock and Roll Hall of Famer ...
IDFA 2015 | Trailer | A Poem Is a Naked Person
Dutch premiere at IDFA 2015 A rather meandering anarchist portrait of songwriter and session ...
Popular movie trailers from 1974
These some of the most viewed trailers for movies released in 1974:
Portrays the challenges of creating a film about nuclear disaster amid public apathy. It captures behind-the-scenes moments as the crew discusses the gravity of nuclear threats, the importance of preparation, and the emotional impact of a nuclear attack.
Directed by Sam Pillsbury, this 1974 film observes Ralph Hotere — one of New Zealand’s greatest artists — at a moment when excitement is gathering about his work.