John Pilger returns to Vietnam in 1974. America had withdrawn its ground forces at the beginning of the previous year, he reports, yet the war had not ended.
Five friends head out to rural Texas to visit the grave of a grandfather. On the way, they stumble across what appears to be a deserted house, only to discover something sinister within.
A collage film, a dialogue between mother and the unborn child, the film can be seen as a personal self-analysis by René Paquot, who dreamily delivers his conflicts with maternal, medical and religious authority.