Traditionally confined to the roles of life-givers, nurturers and homemakers, Boran women of Kenya are slowly realizing the importance of education and the difference it can make in their lives. They attach great importance to the traditional role of women in a herding society and perform dawn to dusk tasks with little deviation from customary ways. Remarkable though is the obvious independence they demonstrate in performing tasks which normally would fall under the male domain, like building their own houses. The film is principally observational with occasional segments in which the women speak directly to the camera.
A collage film, a dialogue between mother and the unborn child, the film can be seen as a personal self-analysis by René Paquot, who dreamily delivers his conflicts with maternal, medical and religious authority.
Portrays the challenges of creating a film about nuclear disaster amid public apathy. It captures behind-the-scenes moments as the crew discusses the gravity of nuclear threats, the importance of preparation, and the emotional impact of a nuclear attack.
Two friends named Amir Palang and Ahmad Nane Baba Jegaraki are interested in Asieh ; But Asieh is interested in Amir, and Amir tries to stay away from Asieh in favor of Ahmad.
John Pilger returns to Vietnam in 1974. America had withdrawn its ground forces at the beginning of the previous year, he reports, yet the war had not ended.
