"An old man's promise, a young boy's hope, a brave dog's courage!"25 October 1974Adventure, Western100 mins
Sequel to Lucio Fulci's first 'White Fang' has the wolf-dog once again trying to stop the villainous Beauty Smith from claiming a recently discovered gold mine in 1899 Yukon, Canada.
When the Mystery Inc. gang is invited to Spooky Island, a popular amusement park, they soon discover that the attractions aren't the only things that are spooky.
The untold true story set in the winter of 1925 that takes you across the treacherous terrain of the Alaskan tundra for an exhilarating and uplifting adventure that will test the strength, courage and determination of one man, Leonhard Seppala, and his lead sled dog, Togo.
Being one of 101 takes its toll on Patch, who doesn't feel unique. When he's accidentally left behind on moving day, he meets his idol, Thunderbolt, who enlists him on a publicity campaign.
Babe, fresh from his victory in the sheepherding contest, returns to Farmer Hoggett's farm, but after Farmer Hoggett is injured and unable to work, Babe has to go to the big city to save the farm.
A family in financial crisis is forced to sell Lassie, their beloved dog. Hundreds of miles away from her true family, Lassie escapes and sets out on a journey home.
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Challenge to White Fang Trailer
An old man's promise a young boy's hope a brave dog's courage! Set some years after the events in the first movie White Fang the bravest dog in the Yukon ...
Popular movie trailers from 1974
These some of the most viewed trailers for movies released in 1974:
John Pilger returns to Vietnam in 1974. America had withdrawn its ground forces at the beginning of the previous year, he reports, yet the war had not ended.
In this movie a writer comes to stay at an island resort and gets involved with a teenage lolita who is there with her parents and rather malicious best friend.
Portrays the challenges of creating a film about nuclear disaster amid public apathy. It captures behind-the-scenes moments as the crew discusses the gravity of nuclear threats, the importance of preparation, and the emotional impact of a nuclear attack.
A collage film, a dialogue between mother and the unborn child, the film can be seen as a personal self-analysis by René Paquot, who dreamily delivers his conflicts with maternal, medical and religious authority.