Dimitrie Cantemir Trailer (1974)

16 September 1974 History, War 97 mins

The film is about the life of Dmitry Cantemir and the Moldovan people from November 1710 to July 1711. Turkish troops are preparing for war with Russia. The Sultan entrusted him with the throne of Moldavia. Cantemir secretly established ties with Peter I and concluded a military-political agreement with him, according to which Russia took Moldova under its protectorate, pledged to help expel the Turks and restore the former borders of the Moldovan state.

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Cast

Crew

Vlad Iovitse Director

Vitali Kalashnikov Director of Photography

Vlad Iovitse Writer

Vitali Kalashnikov Director

Eduard Lazarev Music

Vladimir Bulatov Production Design

International Releases Dates

Hungary 25 September 1975

Production Companies

Moldova-Film

Popular movie trailers from 1974

These some of the most viewed trailers for movies released in 1974:

The Clinton Special: A Film About the Farm Show Trailer (1974)

01 January 1974

Michael Ondaatje chronicles a group of actors who, in 1972, went into an Ontario farming community to build a play of what they saw and learned.

Happy Days Are Here Again Trailer (1974)

15 November 1974

A compilation of film clips featuring dance and song performances culled from various films of the so-called big three - Sampaguita, LVN, Premiere.

La svergognata Trailer (1974)

17 August 1974

In this movie a writer comes to stay at an island resort and gets involved with a teenage lolita who is there with her parents and rather malicious best friend.

Wo der Wildbach durch das Höschen rauscht - Witwen-Report Trailer (1974)

27 September 1974

In the diary of the late mayor finds his virtuous widow evidence how wild it really driving the good citizens of the town.

The Shaolin Boxers Trailer (1974)

14 June 1974

Chuan Tai, master of the Shaolin School, hopes that if he can win the annual martial-arts tournamentg

Le ventre, un supermonde Trailer (1974)

21 September 1974

A collage film, a dialogue between mother and the unborn child, the film can be seen as a personal self-analysis by René Paquot, who dreamily delivers his conflicts with maternal, medical and religious authority.