Aimed at the overseas market (and with one or two references that would not be acceptable as politically correct today) this film extols the virtue of using rail services for travelers visiting Britain.
A couple of musicians are on their way to a show at a country bar. Along the way, they pick up a couple of sexy hitchhiking ladies and decide to pull over for a pitstop.
A collage film, a dialogue between mother and the unborn child, the film can be seen as a personal self-analysis by René Paquot, who dreamily delivers his conflicts with maternal, medical and religious authority.
Five friends head out to rural Texas to visit the grave of a grandfather. On the way, they stumble across what appears to be a deserted house, only to discover something sinister within.