Heidi (1974) Japanese anime series by Zuiyo Eizo (now Nippon Animation) based on the Swiss novel Heidi's Years of Wandering and Learning by Johanna Spyri (1880). It was directed by Isao Takahata A feature-length film Heidi in the Mountains, aka The Story of Heidi, was edited from the series by Zuiyo (which by then was a separate entity from Nippon Animation, which employed many of the TV series' animation staff) distributed in 1979. All cast were replaced excluding Heidi and the grandfather. This movie is also the only incarnation of the Heidi anime to have been released commercially in the United States in English (on home video in the 1980s). Isao Takahata remarked "Neither Hayao Miyazaki nor I are completely related to any shortening version" on this work.
Chaos reigns at the natural history museum when night watchman Larry Daley accidentally stirs up an ancient curse, awakening Attila the Hun, an army of gladiators, a Tyrannosaurus rex and other exhibits.
A fairy tale set in the bucolic countryside of Central Europe at the turn of the 20th century. Anka, an orphan girl, bravely sets off in the pursuit of a home, facing the hardships of life, and ultimately finds her place with the help of a magical world and its mysterious creatures.
One year after their incredible adventures in the Lion, the Witch and the Wardrobe, Peter, Edmund, Lucy and Susan Pevensie return to Narnia to aid a young prince whose life has been threatened by the evil King Miraz.
Babe is a little pig who doesn't quite know his place in the world. With a bunch of odd friends, like Ferdinand the duck who thinks he is a rooster and Fly the dog he calls mum, Babe realises that he has the makings to become the greatest sheep pig of all time, and Farmer Hoggett knows it.
A new orphanage opens near Jill and Joy's house, and a boy named Pekki runs away from there. Pekki ends up living in Jill and Joy's cabin and tells the girls how bleak life is in the orphanage under the strict command of the headmistress Minna Pinna.
The four-inch-tall Clock family secretly share a house with the normal-sized Lender family, "borrowing" such items as thread, safety pins, batteries and scraps of food.
Portrays the challenges of creating a film about nuclear disaster amid public apathy. It captures behind-the-scenes moments as the crew discusses the gravity of nuclear threats, the importance of preparation, and the emotional impact of a nuclear attack.
Allied to a four-year Daily Mirror campaign by John Pilger that helped achieve compensation for many of the forgotten and mostly working class victims of the notorious drug prescribed to women during pregnancy.
