Martine Bressac is released from a psychiatric clinic after a year's treatment and is driven home by her chauffeur, Mathias. She is welcomed by the demented hunchbacked gardener Malou and the mute servant girl Adèle, and impatiently demands the key to her mysterious private chamber. There, set out like exhibits in a waxwork, are the bodies of beautiful girls frozen in postures of terror on the point of death. With Mathias' help, Martine has just added another girl, a prostitute, to her collection when her husband and accomplice, Charles, arrives home with slides of a further prospective victim: Cécile the virginal daughter of a diplomat...
A woman is tormented by dreams that she is the reincarnation of a dead countess. Her father, trying to get her to stop the dreams, takes her to a village near the castle of the late countess.
A sculptor opens a wax museum to showcase the likenesses of famous historical figures, but quickly runs into trouble when his business partner demands the exhibits become more extreme in order to increase profits.
A cliché hunchbacked evil scientist's assistant aspires to become a scientist himself, much to the displeasure of the rest of the evil science community.
Wealthy slacker Mark, his new girlfriend Sarah, and their friends, are invited to a special showing at a mysterious wax museum which displays eighteen of the most evil men of all time.
A scientist working on cures for rare afflictions, such as a bone softening agent made from molds to allow him to correct the spinal deformity of his nurse, finds the physical causes of lycanthropy in wolf-man Larry Talbot and of vampirism in Count Dracula, but himself becomes afflicted with homicidal madness while exchanging blood with Dracula.
In late 19th century France, the Countess Louise, wife of a wealthy general, sells the earrings her husband gave her on their wedding day to pay off her secret debts, then claims to have lost them.
Deranged scientist, Gustav Niemann, escapes from prison and overtakes the director of a traveling chamber of horrors, soon reviving the infamous Count Dracula, the frozen Frankenstein Monster, and the Wolf Man.
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A collage film, a dialogue between mother and the unborn child, the film can be seen as a personal self-analysis by René Paquot, who dreamily delivers his conflicts with maternal, medical and religious authority.
On a beach in Nice, François meets the mysterious Peggy and falls in love with her. Following her to a villa, he meets Marc, a lawyer who has a strange relationship with the girl.
