In May 1974 Joseph Beuys flew to New York and was taken by ambulance to the site of the performance, a room in the René Block Gallery at 409 West Broadway. Beuys lay on the ambulance stretcher swathed in felt. He shared this room with a coyote, for eight hours over three days.
A struggling songwriter named Dave Seville finds success when he comes across a trio of singing chipmunks: mischievous leader Alvin, brainy Simon, and chubby, impressionable Theodore.
This was the first of two one-hour musical specials which were part of CBS' 1968 multi-million-dollar contract with Doris Day's production company, a contract that Day insists to this day was negotiated by her husband and manager Martin Melcher without her knowledge.
This film features unreleased concert footage of Elvis Presley's afternoon performance at the 'Mississippi-Alabama Fair and Dairy Show' held at the Fairgrounds in Tupelo, Mississippi on September 26, 1956.
Mélanie Prouvost, a ten-year-old butcher's daughter, is a gifted pianist. That is why she and her parents decide that she sit for the Conservatory entrance exam.
Directed by Sam Pillsbury, this 1974 film observes Ralph Hotere — one of New Zealand’s greatest artists — at a moment when excitement is gathering about his work.
A collage film, a dialogue between mother and the unborn child, the film can be seen as a personal self-analysis by René Paquot, who dreamily delivers his conflicts with maternal, medical and religious authority.
Allied to a four-year Daily Mirror campaign by John Pilger that helped achieve compensation for many of the forgotten and mostly working class victims of the notorious drug prescribed to women during pregnancy.
