Two young prostitutes decide to settle on a farm in the outskirts of an idyllic Bavarian mountain village. Initially, this is a pain in the neck for the village council and the local clergy, but the moral guardians soon reveal themselves to be lacking in steadfast ideals.
The young Bavarian princess Elisabeth, who all call Sissi, goes with her mother and older sister Néné to Austria where Néné will be wed to an emperor named Franz Joseph, Yet unexpectedly Franz runs into Sissi while out fishing and they fall in love.
Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute exults in her power as a temptress of men, but she wants out—she wants money, property, and love.
The foehn researcher paints watercolors in which he documents the state of the world and records his visions of what is happening, while he berates the Minister of the Interior savagely.
Sissi is now the empress of Austria and attempts to learn etiquette. While she is busy being empress she also has to deal with her difficult new mother-in-law, while the arch-duchess Sophie is trying to tell the emperor how to rule and also Sissi how to be a mother.
When cab driver Ludwig “Wiggerl” Brunner, a true Munich bon vivant, is hit by a streetcar and ends up in heaven, there is only one way back to his beloved Bavaria: he has to improve his karma balance as quickly as possible.
A collage film, a dialogue between mother and the unborn child, the film can be seen as a personal self-analysis by René Paquot, who dreamily delivers his conflicts with maternal, medical and religious authority.
Portrays the challenges of creating a film about nuclear disaster amid public apathy. It captures behind-the-scenes moments as the crew discusses the gravity of nuclear threats, the importance of preparation, and the emotional impact of a nuclear attack.
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Have you watched Jodeln is ka Sünd yet? What did you think about it?