Directed by Sam Pillsbury, this 1974 film observes Ralph Hotere — one of New Zealand’s greatest artists — at a moment when excitement is gathering about his work.
A couple of musicians are on their way to a show at a country bar. Along the way, they pick up a couple of sexy hitchhiking ladies and decide to pull over for a pitstop.
A collage film, a dialogue between mother and the unborn child, the film can be seen as a personal self-analysis by René Paquot, who dreamily delivers his conflicts with maternal, medical and religious authority.