"His anger gave him SUPER-HUMAN strength!"11 December 1974Action92 mins
A dandy fop who just happens to be great at Kung-Fu, is traveling the countryside in the Hong Kong of old. He has to negotiate a treacherous landscape filled with tricksters and tough guys, and fight a lot of battles in hand-to-hand martial arts combat, in order to be reunited with his lost love. In order to do this, he teams up with a ragtag bunch of orphans.
After going through a series of tragic events in his life, martial arts master Huo Yuanjia returns to Tianjin and must fight four international soldiers, in order to safeguard his nation's pride.
In the year of 2039, after World Wars destroy much of the civilization as we know it, territories are no longer run by governments, but by corporations; the mightiest of which is the Mishima Zaibatsu.
In the middle of the 17th century, the Manchus conquered China and founded the Ching dynasty. Due to widespread uprisings against the new rulers, the study and practice of traditional martial arts is forbidden and punishable by death.
A legendary warrior embarks on a deadly quest to retrieve the cursed Devil’s Sword, a mystical weapon with dark powers capable of unleashing unimaginable destruction.
Kick-box champion David Sloan arrives in Rio de Janeiro for an exhibition fight. He and mentor Xian take pity on Brazilian rascal Marcos Coasta, an urchin who offers guide services but routinely steals from tourists for himself and his older sister Isabella.
Popular movie trailers from 1974
These some of the most viewed trailers for movies released in 1974:
A short film that originally played before showings of "Heroes Two" - in which Fu Sheng, Chen Kuan Tai and Chi Kuan-Chun demonstrate different techniques of Hung boxing.
Portrays the challenges of creating a film about nuclear disaster amid public apathy. It captures behind-the-scenes moments as the crew discusses the gravity of nuclear threats, the importance of preparation, and the emotional impact of a nuclear attack.
A collage film, a dialogue between mother and the unborn child, the film can be seen as a personal self-analysis by René Paquot, who dreamily delivers his conflicts with maternal, medical and religious authority.
