This short documentary takes us to St. John's Cathedral Boys' School, at Selkirk, Manitoba, one of the most demanding outdoor schools in North America. As the school can’t accommodate every student wishing to enroll, boys of 13 to 15 years old are put through an initiation tougher than they have ever faced. They paddle canoes through some 500 kilometers of wilderness in 2 weeks, portaging and camping all the way, thereby learning vital outdoor lore, cooperation and self-confidence.
Thursday shot from filmmaker Galen Johnson's high-rise apartment during COVID-19 “lockdown” in Winnipeg, captures people going about their daily routines in the city's eerily empty streets, yards and parking lots, on their balconies and on the riverbanks.
DIYSEX is a film that reflects on the use of the image and the language of mainstream pornography, and wonders how far this use can transcend when making your porn film.
Chicán (chi'kaan), a Mayan word meaning "Boca de Culebra", is a small Mayan community in southern Yucatán where for generations its inhabitants have been born with a particular characteristic and share the same surnames.
This film looks at the world of children with hearing loss and the importance of early diagnosis. With its straightforward, rigorous cinematic style and intimate approach to the subject, the film focuses on the human rather than the technical side of the problem of hearing impairment.
Filmmaker/activist Melaw Nakehk’o has spent the pandemic with her family at a remote land camp in the Northwest Territories, “getting wood, listening to the wind, staying warm and dry, and watching the sun move across the sky.
A cinematic omnibus rooted in New Orleans, challenging the idea of black cinema as a "wave" or "movement in time," proposing instead a continuous thread of achievement.
Popular movie trailers from 1974
These some of the most viewed trailers for movies released in 1974:
Following Tung's death in a mysterious plane crash, a police investigator replaces him to investigate the shady dealings of a gang of criminals led by Feng Wei, cousin of the dead.
A collage film, a dialogue between mother and the unborn child, the film can be seen as a personal self-analysis by René Paquot, who dreamily delivers his conflicts with maternal, medical and religious authority.
John Pilger returns to Vietnam in 1974. America had withdrawn its ground forces at the beginning of the previous year, he reports, yet the war had not ended.
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