Animated short film made in three parts on the pin screen by Alexeieff-Parker. With these three exercises, director Jacques Drouin experiments with the play of light and shadow alone. Original, this experience presents us with a reality that is not truncated although it may appear as follows: the faculty of wonder will be able to create the necessary link between everyday life and the way it was rendered.
Bits of found film and different types of animation illustrate a classic chase scene scenario: A woman is abducted and a man comes to her rescue, but during their escape they find themselves in the enemy's secret headquarters.
Olivia, a 12-year-old middle class girl, is forced to reorganize her basic needs when her family (mother, little brother and herself) is evicted and forced to live in a squatted apartment on the edge of the big city, in a rough neighborhood.
The fragility of Earth's future, the uncertainty of life are among the core concepts director Páraic McGloughlin explores in this video for Kompakt duo Weval.
In anticipation of the great Christian holiday of Easter, one of the boys wanted to get ready for it by making painted eggs himself, as required by a long-standing tradition.
The gardener Lawrence was old and could not be able to work in the garden. He asked for the help of random passers-by, but it was only school children who saved him from the trouble.
A couple of musicians are on their way to a show at a country bar. Along the way, they pick up a couple of sexy hitchhiking ladies and decide to pull over for a pitstop.
A collage film, a dialogue between mother and the unborn child, the film can be seen as a personal self-analysis by René Paquot, who dreamily delivers his conflicts with maternal, medical and religious authority.
Allied to a four-year Daily Mirror campaign by John Pilger that helped achieve compensation for many of the forgotten and mostly working class victims of the notorious drug prescribed to women during pregnancy.
