Two women, one from Boston and one from Germany, flee their empty lives to seek fulfillment in Mexico. The Black Angel is a transitional film; on one hand, it is a companion piece to Willow Springs, featuring two Schroeter regulars as characters far from home and in extremis; on the other hand, it is a film essay about Mexico and as such a harbinger of Schroeter’s nonfiction work to come. While he clearly shares his characters’ fascination with Mexico, the filmmaker also savages touristic exoticism – the otherworldly appearances of his protagonists and their rapturous reactions to new surroundings contrast sharply with the sober perceptions of Mexican history and economics featured in the documentary segments and in the prosaic presence of a non-professional cast of locals. - Harvard Film Archive
A musician witnesses the murder of a famous psychic, and then teams up with a fiesty reporter to find the killer while evading attempts on their lives by the unseen killer bent on keeping a dark secret buried.
The residents of a suburban high-rise apartment building are being infected by a strain of parasites that turn them into mindless, sex-crazed fiends out to infect others by the slightest sexual contact.
While serving time for insanity at a state mental hospital, implacable rabble-rouser, Randle Patrick McMurphy inspires his fellow patients to rebel against the authoritarian rule of head nurse, Mildred Ratched.