When I first arrived in Barcelona in 1974 I decided to make a film about architect Antoni Gaudi's Park Guell. I found a film already conceived in the 1914 design; it was enough to follow the trajectories traced by Gaudi, imagine them as a labyrinth, reproduce the bursting of the mosaics through an analogous fracture of linear temporality. In the editing I tried to avoid showing passers-by. No human figure should get in the way of the appearance of that fantastic architecture. The stop-motion technique applied to the position and parameters of the camera still seems suitable for representing the undulating space of the park.
David Locke is a world-weary American journalist who has been sent to cover a conflict in northern Africa, but he makes little progress with the story.
Viktor, an architect student from Kyiv, loves Barcelona and the Gaudí work. He wants to get a scholarship in Barcelona, so he’s waiting for a reply from Spanish university.
Catalan architect Antonio Gaudí (1852-1926) designed some of the world's most astonishing buildings, interiors, and parks; Japanese director Hiroshi Teshigahara constructed some of the most aesthetically audacious films ever made.
In 1959 Hiroshi Teshigahara shot the following 16 mm footage of he and his father’s first trip to Barcelona and the outlying Catalonian countryside, including a visit to the home of Salvador Dali in Port Lligat.
Documentary of the U.S. Senator Joseph McCarthy, who rose to prominence in the early 1950s by trumpeting allegations of a vast conspiracy by alleged Communist agents whom he claimed had infiltrated the U.
Adapted from the novel Die Döppelgänger by Theodor Storm, this black-and-white drama tells the tragic story of a war veteran who, in 1860, returns to his home in Schleswig Holstein after serving a term for robbery.
Ravi, a businessman, falls in love with Lalitha, a professional dancer. But her father challenges him to learn the art of dance in order to marry his daughter.
