In the 1970s, Californian artist Louis Hock created a number of studies in the effects of pure colour. The late 1960s saw the rise of the ‘colour field’ vogue which arose in abstract painting in reaction to the emphasis on individual expressive gestures in Abstract Expressionism. ‘Colour field’ artists like Mark Rothko and Barnett Newman sought to empty the image plane out into broad, flat areas of colour. With its humming bars of pure hues, Light Traps is like a moving ‘colour field’ painting – a ‘colour field’ film. Preserved by the Academy Film Archive in 2013.
As the railroad builders advance unstoppably through the Arizona desert on their way to the sea, Jill arrives in the small town of Flagstone with the intention of starting a new life.
In Loving (1957), a couple make love in the sun and their optic system flares -- it's really the nervous system's ecstasy -- in oranges and yellows and whites.
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese.
Double or Nothing is a 1936 American short musical comedy film directed by Joseph Henabery. It was nominated for an Academy Award at the 9th Academy Awards in 1936 for Best Short Subject (Two-Reel).
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
Apu, now a jobless ex-student dreaming vaguely of a future as a writer, is invited to join an old college friend on a trip up-country to a village wedding.
Apu and his family have moved away from the country to live in the bustling holy city of Benares. As he progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother.
After getting a flat tire in the middle of nowhere, newly engaged couple Brad and Janet encounter the eerie mansion of the flamboyant, seductive Dr Frank-N-Furter and a variety of eccentric characters.
King Arthur, accompanied by his squire, recruits his Knights of the Round Table, including Sir Bedevere the Wise, Sir Lancelot the Brave, Sir Robin the Not-Quite-So-Brave-As-Sir-Lancelot and Sir Galahad the Pure.
A social drama, it tackles the contradictions prevalent in society. Kumar, a respectable wealthy man to the outside world, in fact leads a life of debauchery.
A cynical detective and a Roman Catholic bishop team up to investigate the reported miraculous powers of a 17-year-old girl being held captive in the home of her father, an ailing syndicate kingpin.
A petty criminal fakes insanity to serve his sentence in a mental ward rather than prison. He soon finds himself as a leader to the other patients—and an enemy to the cruel, domineering nurse who runs the ward.
A married couple, after a life time of work and bringing up a family, retire and awaken to the fast changing world around them, the habitual nature of their relationship, and what they have left.
Neelapponmaan is a 1975 Indian Malayalam film, directed and produced by Kunchacko. The film stars Prem Nazir, KPAC Lalitha, Adoor Bhasi and Sreelatha Namboothiri in lead roles.
