A movie filmed almost entirely in the interior of a house on the outskirts of S.C. de Bariloche, on the shores of Nahuel Huapi Lake, over the course of one full winter and the beginning of a spring. The camera, through frame-by-frame tracking and panning shots, goes along revealing furniture, corners, objects and books, using rails in the first instance and a calibrated disk mounted on a tripod in the second. The house vibrates with its own life, revealing almost ghostlike traces and vestiges while the human presence is barely suggested. These shots alternate with others of the landscape: a lake, snow, bushes rattled by the wind, the passing of the seasons, external signs that accentuate the solitude of the interior spaces.
Two corporate middle managers wage war over their shared desk space using office stationary. As their battle escalates to the breaking point, they find themselves drawn into an unexpected, unusual relationship.
In the aggressive and often hostile world of youth grass roots football, Adam faces an ultimatum from the team captain when they discover Adam's best friend Tom is gay.
On a sprawling urban suburbia during a sweltering summer, two young boys in love are at an impasse. Youssou has an opportunity to study abroad with a prestigious scholarship, while his boyfriend Malek advances in his art degree at a local school.
Neelapponmaan is a 1975 Indian Malayalam film, directed and produced by Kunchacko. The film stars Prem Nazir, KPAC Lalitha, Adoor Bhasi and Sreelatha Namboothiri in lead roles.
When the seaside community of Amity finds itself under attack by a dangerous great white shark, the town's chief of police, a young marine biologist, and a grizzled shark hunter embark on a desperate quest to kill the beast before it strikes again.
