"One of Kuchar’s few feature-length works is this ribald pastiche to postwar Hollywood melodrama, that period when the studios were trying very hard to be adult. The intricate, overheated plot involves a nurse trapped in an unhappy marriage who escapes the big city in search of greener pastures in Blessed Prairie, Oklahoma. Swerving from earnest homage to dark satire, Kuchar simultaneously imitates and savages the legacy of Sirk, Preminger and Minnelli that inspired him, gleefully intertwining the suggestive and the scatological, while also pointing towards the later postmodern parodies of Cindy Sherman. The Devil’s Cleavage is also a rich time capsule of 1970s San Francisco, replete with cameos from Curt McDowell and Art Spiegelman." —hcl.harvard.edu
In this sequel to True Grit, John Wayne returns as Marshal Rooster Cogburn. After a band of drunken thugs overruns a small Indian Nation town, killing Minister Goodnight and raping the women folk, Eula Goodnight (Katherine Hepburn) enlists the aid of Marshal Cogburn to hunt them down and bring her father's killers to justice.
On Saint Valentine's Day in 1900, the female students at a private Australian school are given permission by their stern headmistress to travel to an ancient volcanic outcropping for an afternoon picnic.
A musician witnesses the murder of a famous psychic, and then teams up with a fiesty reporter to find the killer while evading attempts on their lives by the unseen killer bent on keeping a dark secret buried.
100 miles north, a bit east and up, is Flåklypa... home of bicycle repairman Reodor Felgen and his two assistants - Solan Gundersen, morning bird and natural born optimist, and Ludvig who is a true pessimist.