01 January 1976 30 mins
A 4 channel video installation (Hill, Wall, Cliff, Roof). A video dance work based on the accumulation 24 movements. The multi-layered effect is structuralist and sculptural, exploring the elements of real, delayed, edited and inherent video time.
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Valerie Hammer as Self
Paul Wong Director
Canada 01 January 1976
These some of the most viewed trailers for movies released in 1976:
01 January 1976
Lola Reyes is a singer who is succeeding and, therefore, is besieged by everyone. A group of homosexuals are the only ones authorized by his possessive mother to be her friends.
29 August 1976
The film is based on the memoirs of partisan commander Peter Kružliak. Lieutenant Peter Kubiš is ordered to move with his unit to the mountains after the fall of Banská Bystrica, where he is to receive further orders.
23 September 1976
A Goldoni style comedy which launched the movie careers of Trixia Gomez and singing sensation Rico J.
01 January 1976
Fame hungry Nirmala has to marry realist Gopi who has to deal with her antics, which leads to their t
09 February 1976
Suffering from insomnia, disturbed loner Travis Bickle takes a job as a New York City cabbie, haunting the streets nightly, growing increasingly detached from reality as he dreams of cleaning up the filthy city.
17 October 1976
About August Strindberg's marriage to Siri von Essen. She was married when she met him, but abandoned her husband, became Strindberg's mistress and later his wife.
22 January 1976
An extended dream sequence presents a biblical allegory about the creation, downfall and rebirth of humanity, told through a series of surrealistic vignettes and musical numbers.
26 January 1976
Gina is a single woman with a good job. From very attractive features, its beauty shines it should not because of their excess weight.
28 September 1976
Episode from the documentary series Paraskinio, dedicated to Mimis Fotopoulos, who speaks about his life and work in a monologue in front of the camera, likely improvised.
07 December 1976
Film in three segments. In the first, father is suspicious about his son's masculinity. The second one shows a Don Juan-like guy who, at church for his own wedding, cannot remember who the bride might be.
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