Camera, Monitor, Frame is the first installment of Takahiko Iimura's "Video Semiotics Triptych" (the other two works are Observer/Observed, made in 1975, and Observer/Observed/Observer, made in 1976). The work analyzes the fundamental components of video: the camera, the monitor, and the frame, focusing on the role of each within a system of video as analogous to the functions of vision and speech.
A samurai answers a village's request for protection after he falls on hard times. The town needs protection from bandits, so the samurai gathers six others to help him teach the people how to defend themselves, and the villagers provide the soldiers with food.
Two lost souls visiting Tokyo -- the young, neglected wife of a photographer and a washed-up movie star shooting a TV commercial -- find an odd solace and pensive freedom to be real in each other's company, away from their lives in America.
An unexpected love triangle, a seduction trap, and a random encounter are the three episodes, told in three movements to depict three female characters and trace the trajectories between their choices and regrets.
Following a near-death experience France's leading chef throws himself into a quest seeking the flavor that has confounded his life since he was defeated by a Japanese chef's bowl of noodles as a young man.
A member of an elite paramilitary counter-terrorism unit becomes traumatized after witnessing the suicide bombing of a young girl and is forced to undergo retraining.
Set in the late 1920s, The Age of Shadows follows the cat-and-mouse game that unfolds between a group of resistance fighters trying to bring in explosives from Shanghai to destroy key Japanese facilities in Seoul, and Japanese agents trying to stop them.
About August Strindberg's marriage to Siri von Essen. She was married when she met him, but abandoned her husband, became Strindberg's mistress and later his wife.
Cornélio, an aged man and famous baritone, marries the young Angelica, who plans with her ex-boyfriend Bruno, to kill the husband with contaminated oysters, but she ends up the one who gets sick.
An extended dream sequence presents a biblical allegory about the creation, downfall and rebirth of humanity, told through a series of surrealistic vignettes and musical numbers.
The title of Truth Through Mass Individuation references Carl Jung. An isolated figure is seen performing successively more aggressive actions — dropping a cymbal among a flock of pigeons, firing a rifle in a deserted city street.
15-year-old Dawn runs away from what she feels is an intolerable home life. In the big city, she ends up turning to prostitution when she is unable to get a job due to her age.
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