Cube and Room Drawings begins with a view looking down at an angle toward grey paper covering the floor. A performer enters from the back of the scene and begins drawing lines on the floor. The lines are the beginning of a drawing of a distorted cube. The performer leaves the scene. The paper begins to rotate on the floor. As the paper rotates the cube gradually becomes correctly oriented, as if it were drawn on a vertical piece of paper. The performer enters again and draws another cube that corresponds to the perspective of the other cube. After leaving and re-entering the performer draws red receding lines on the floor. He leaves and the paper rotates and the red lines become a grid that corresponds to the vertical screen. The film continues with several additional actions that continue this theme. Preserved by the Academy Film Archive in 2012.
As the railroad builders advance unstoppably through the Arizona desert on their way to the sea, Jill arrives in the small town of Flagstone with the intention of starting a new life.
As the west rapidly becomes civilized, a pair of outlaws in 1890s Wyoming find themselves pursued by a posse and decide to flee to South America in hopes of evading the law.
Double or Nothing is a 1936 American short musical comedy film directed by Joseph Henabery. It was nominated for an Academy Award at the 9th Academy Awards in 1936 for Best Short Subject (Two-Reel).
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
Proposed by the President of the United States to fill the post of Secretary of State, Robert Leffingwell appears before a Senate committee, chaired by the idealistic Senator Brig Anderson, which must decide whether he is the right person for the job.
Apu and his family have moved away from the country to live in the bustling holy city of Benares. As he progresses from wide-eyed child to intellectually curious teenager, eventually studying in Kolkata, we witness his academic and moral education, as well as the growing complexity of his relationship with his mother.
Apu, now a jobless ex-student dreaming vaguely of a future as a writer, is invited to join an old college friend on a trip up-country to a village wedding.
Adaptation of a Strindberg play by Lee Grant for the 1974 AFI Directing Workshop for Women. Restored in 2022 by the Academy Film Archive and The Film Foundation.
Footage of a yacht race and a (Highland?) Show in Kirkwall, as filmed by Margaret Tait. [this is possibly incomplete footage from her 'Aspects of Kirkwall' series?] See also Additional Information file at 11/1/455.
Film in three segments. In the first, father is suspicious about his son's masculinity. The second one shows a Don Juan-like guy who, at church for his own wedding, cannot remember who the bride might be.
The film revolves around the manin protagonist Meenakshi (K. R. Vijaya), who rises from an ordinary housewife to become a Mayor and the trials and tribulations she face to maintain a balance at work and at home.
The story Peter is telling the about a special summer, when he is invited over to summer holiday from bickering parents, to his aunt and uncle in the country.
