Beginning with the grounded view of bare feet walking through shallow surf, the film then seizes and, in successively cumulative layers adds frames of image-within-image until we are watching the walking feet through a tunnel. The Dutchman's Photographs becomes a kinetic reiteration of itself and in doing so, succinctly detaches from spatial illusion, beginning a temporal experiment where still photographs are transformed into cinematic "action".
Carrie may be ostracized, but the shy teen has the ability to move objects with her mind. So when the high school "in crowd" torments her with a sick joke at the prom, she lashes out with devastating -- and deadly -- power.
A quiet and inconspicuous man (Trelkovsky) rents an apartment in France where the previous tenant committed suicide, and begins to suspect his landlord and neighbors are trying to subtly change him into the last tenant so that he too will kill himself.
A pint-sized cast illuminates this musical that is unlike any other ever made. Set in 1929 New York City, Bugsy Malone captures a flashy world of would-be hoodlums, showgirls, and dreamers - all played by child actors! As Tallulah, the sassy girlfriend of the owner of Fat Sam's Grand Slam Speakeasy, future superstar Jodie Foster dances and sings her way into our hearts.
Have you watched Dutchman’s Photographs yet? What did you think about it?