Maamar (Sid Ali Kouiret), a young fisherman working in a small port in western Algeria, is forced to sell his goods at a discount every day to Si Khelifa (Abdelhalim Rais), owner of many trucks and a cannery where the wives work fishermen. He has a strange encounter. As he returns from fishing, bassinet in hand, he witnesses a car accident. Indeed, a car hits a tree with a beautiful girl “Hayat” on board who has lost consciousness. Maamar pulls her out of the car and saves her. It is at this precise moment that he realizes the existence of another world. As if awakened from a long sleep, he realizes that this exploitation can no longer continue. He leaves his village and his wife Laâlia (Fatima Belhadj) on a whim for three years. He finds himself in the capital which he leaves to return to his village and carry out a saving action...
Albert Schweitzer (1875-1965), the mission doctor, theologian and philosopher who founded a hospital in the rainforests of Gabon, achieved sainthood in his lifetime, at least in the popular imagination.
The story of Captain Richard Francis Burton's and Lt. John Hanning Speke's expedition to find the source of the Nile river in the name of Queen Victoria's British Empire.
A sorcerer (played by the director himself) controls all activities in a village. Manipulating the different parties, the sorcerer promises love, good health and riches in exchange for the most extravagant rewards.
Mbeu Yosintha was made to help farmers and rural communities cope with the effects of climate change and in particular the ever changing rain patterns in South East Africa.
Based on a traditional African tale. A king has the habit whilst walking in disguise on the streets of his kingdom to listen to the wishes of his own people.
An aging village chief entrenched in traditional Cameroonian ways clashes with his daughter. She was educated in France to help support the family, but has taken on the trappings of Western Europeans.
Film in three segments. In the first, father is suspicious about his son's masculinity. The second one shows a Don Juan-like guy who, at church for his own wedding, cannot remember who the bride might be.
