A parade of musical paintings that includes fragments of Argentine films and a Proartel television program that Channel 13 broadcast in 1965.
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Luis Sandrini as Self
Andrés Chazarreta as Self
Rosita Quiroga as Self
Pablo Osvaldo Valle as Self
Julio De Caro as Self
Hugo del Carril as Self
Roberto Goyeneche as Self
Eduardo Falú as Self
Ramona Galarza as Self
Tita Merello as Self
Margarita Palacios as Self
Antonio Tormo as Self
Alberto Castillo as Self
Enrique Cadícamo as Self
Amelita Baltar as Self
Ariel Ramírez as Self
Fernando Ayala Director
Héctor Olivera Co-Director
Fernando Ayala Producer
Julio Mahárbiz Writer
Gustavo Beytelman Music Arranger
Osvaldo Requena Music Arranger
Víctor Hugo Caula Director of Photography
Emilio Basaldúa Production Design
Carlos Piaggio Editor
Argentina 27 August 1976
These some of the most viewed trailers for movies released in 1976:
15 September 1976
A passionate telling of the story of Sada Abe, a woman whose affair with her master led to an obsessive and ultimately destructive sexual relationship.
06 August 1976
The title of Truth Through Mass Individuation references Carl Jung. An isolated figure is seen performing successively more aggressive actions — dropping a cymbal among a flock of pigeons, firing a rifle in a deserted city street.
07 June 1976
A thrilling story about the liquidation of a Polish terrorist group in Slovakia in the post-war years.
01 February 1976
With the destruction of their previous neighbourhood has inevitably come the destruction of the lads’ favoured watering hole The Fat Ox.
01 January 1976
Lola Reyes is a singer who is succeeding and, therefore, is besieged by everyone. A group of homosexuals are the only ones authorized by his possessive mother to be her friends.
07 December 1976
Film in three segments. In the first, father is suspicious about his son's masculinity. The second one shows a Don Juan-like guy who, at church for his own wedding, cannot remember who the bride might be.
17 October 1976
About August Strindberg's marriage to Siri von Essen. She was married when she met him, but abandoned her husband, became Strindberg's mistress and later his wife.
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Artwork, screen shots, trailers and other imagery is © 1976 Aries Cinematográfica Argentina.
