Toni is a seventeen year old young man who comes to Madrid from a little village in search of work. A friend from the same village of Toni puts him in touch with Charo, "La Corea", a mature woman dedicated to facilitating contacts and boys to American men at the military base of Torrejón.
Bourne is brought out of hiding once again by reporter Simon Ross who is trying to unveil Operation Blackbriar, an upgrade to Project Treadstone, in a series of newspaper columns.
Caye is a young prostitute whose family is unaware of her profession. She meets her striking Dominican neighbour Zulema, an illegal immigrant, after she finds her in the bathroom, badly beaten up.
Handsome 25-year-old Cesar had it all -- a successful career, expensive cars, a swank bachelor's pad, and an endless string of beautiful and willing women -- until he is thrown into a strange psychological mystery after a car accident scars his face and lands him in prison.
After being released from a mental hospital, a troubled young man tracks down an actress he once had sex with and forces her into captivity, determined to make her part of his life.
When an old friend brings filmmaker Enrique Goded a semi-autobiographical script chronicling their adolescence, Enrique is forced to relive his youth spent at a Catholic boarding school.
After being dumped by her lover, Pepa finds her life and the lives of those around her spiraling out of control in a deliciously chaotic series of events.
When Victor attempts to seduce Elena, all he gets for his trouble is a one-way, six-year ticket to prison, where he concentrates on strengthening his mind, his body.
15-year-old Dawn runs away from what she feels is an intolerable home life. In the big city, she ends up turning to prostitution when she is unable to get a job due to her age.
Lola Reyes is a singer who is succeeding and, therefore, is besieged by everyone. A group of homosexuals are the only ones authorized by his possessive mother to be her friends.
Film in three segments. In the first, father is suspicious about his son's masculinity. The second one shows a Don Juan-like guy who, at church for his own wedding, cannot remember who the bride might be.