The film Ligne + Spirale was co-directed with Elisabeth Strassle - it is a rising tracking shot with a continuous and regular 360° camera movement, all filtered through a pink gel. With no soundtrack, the viewing of the film is intended to produce an impression, a feeling, as if "entering somewhere", in the tradition of the films of Michael Snow.
Suffering from insomnia, disturbed loner Travis Bickle takes a job as a New York City cabbie, haunting the streets nightly, growing increasingly detached from reality as he dreams of cleaning up the filthy city.
Film in three segments. In the first, father is suspicious about his son's masculinity. The second one shows a Don Juan-like guy who, at church for his own wedding, cannot remember who the bride might be.
An extended dream sequence presents a biblical allegory about the creation, downfall and rebirth of humanity, told through a series of surrealistic vignettes and musical numbers.
The film is based on the memoirs of partisan commander Peter Kružliak. Lieutenant Peter Kubiš is ordered to move with his unit to the mountains after the fall of Banská Bystrica, where he is to receive further orders.
Letter carrier Eva is in her late twenties, unmarried and the mother of a twelve-year-old son. She falls in love with Jon, a bargeman who is unfortunately already engaged.
The story Peter is telling the about a special summer, when he is invited over to summer holiday from bickering parents, to his aunt and uncle in the country.
Footage of a yacht race and a (Highland?) Show in Kirkwall, as filmed by Margaret Tait. [this is possibly incomplete footage from her 'Aspects of Kirkwall' series?] See also Additional Information file at 11/1/455.
