This film is not an illustration of a historical narrative or a play but it is structured by its own dynamic and three basic elements: light, color and projection speed. Through their interaction it is the viewer. The film offers a questioning: 1) it generates that is to say, its own history; 2) the imagination of the viewer and his glance; 3) the only Outside questioned: the fate of the image that is his only chance to be. (...)
Kitty runs a brothel in Nazi Germany where the soldiers come to "relax". Recording devices have been installed in each room by a power hungry army official who plans to use the information to blackmail Hitler and gain power himself.
After avenging his family's brutal murder, Wales is pursued by a pack of soldiers. He prefers to travel alone, but ragtag outcasts are drawn to him - and Wales can't bring himself to leave them unprotected.
A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action, attempting to save a preadolescent prostitute in the process.
Carrie may be ostracized, but the shy teen has the ability to move objects with her mind. So when the high school "in crowd" torments her with a sick joke at the prom, she lashes out with devastating -- and deadly -- power.
When world heavyweight boxing champion, Apollo Creed wants to give an unknown fighter a shot at the title as a publicity stunt, his handlers choose palooka Rocky Balboa, an uneducated collector for a Philadelphia loan shark.
Have you watched Salome yet? What did you think about it?