According to Peter Brook, all that is needed for an act of theatre to be engaged is for a man to walk across an empty space whilst someone else is watching him. Thus, an empty space becomes a bare stage. However, this raises countless questions about the relationship between reality, everyday presence and role-playing, something experimental filmmakers coming from the 1970s world of theatre dealt with in detail. Tibor Hajas explored the topic in a short experimental film made at BBS.
Mosholu Parkway is a short film comedy about a day in the life of a raucus family during World War II, a teenaged girl's disastrous blind date and her 80-year-old aunt who runs a crap game out of her apartment in The Bronx, New York in 1942 .
Desperately trying to come to terms with his sexuality, gay teenager Ruben finds his path to sexual acceptance complicated, as homophobic bullying brings him ever closer to the brink of suicide.
An extended dream sequence presents a biblical allegory about the creation, downfall and rebirth of humanity, told through a series of surrealistic vignettes and musical numbers.
The film revolves around the manin protagonist Meenakshi (K. R. Vijaya), who rises from an ordinary housewife to become a Mayor and the trials and tribulations she face to maintain a balance at work and at home.
Film in three segments. In the first, father is suspicious about his son's masculinity. The second one shows a Don Juan-like guy who, at church for his own wedding, cannot remember who the bride might be.
