A man meets a woman at a deserted railroad station somewhere in northern New England. It is the middle of winter; snow is falling. The two drive to a remote farmhouse. Two strange children, who never speak, appear at the window; an old woman calls them away.
A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.
A theater director struggles with his work, and the women in his life, as he attempts to create a life-size replica of New York inside a warehouse as part of his new play.
A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing.
In 17th-century Tuscany, a church play is performed for the benefit of young aristocrat Cosimo. In the play, a grotesque old woman gives birth to a beautiful baby boy.
Based on the novel "Šta bi učinio Zobec?" (What Would Zobec Do?) by Svetozar Vlajković. It's a short movie about a young man who is afraid of being turned down by a girl.
After his young lover, Gitone, leaves him for another man, Encolpio decides to kill himself, but a sudden earthquake destroys his home before he has a chance to do so.
"Three tales of sex and violence presented by TORO LOCO, a blood thirsty, perverted killer cowboy seeking and killing people that starred in some exploitation movie.
Cornélio, an aged man and famous baritone, marries the young Angelica, who plans with her ex-boyfriend Bruno, to kill the husband with contaminated oysters, but she ends up the one who gets sick.
The title of Truth Through Mass Individuation references Carl Jung. An isolated figure is seen performing successively more aggressive actions — dropping a cymbal among a flock of pigeons, firing a rifle in a deserted city street.
An extended dream sequence presents a biblical allegory about the creation, downfall and rebirth of humanity, told through a series of surrealistic vignettes and musical numbers.
Film in three segments. In the first, father is suspicious about his son's masculinity. The second one shows a Don Juan-like guy who, at church for his own wedding, cannot remember who the bride might be.