As the city is locked down under quarantine, Alice finds out that the people that died from the previous incident at the Umbrella Corporation have turned into zombies.
An American teenager who is obsessed with Hong Kong cinema and kung-fu classics makes an extraordinary discovery in a Chinatown pawnshop: the legendary stick weapon of the Chinese sage and warrior, the Monkey King.
When a woman's father goes missing, she enlists a local to aid in her search. The pair soon discover that her father has died at the hands of a wealthy sportsman who hunts homeless men as a form of recreation.
In Hamburg, Ibrahim "Ibo" Secmez, of Turkish descent, wants to direct the first German kung-fu movie. For now, he makes commercials for his uncle's kebab restaurant. Titzie, an aspiring actress and Ibo's German girlfriend, finds she's pregnant. Ibo is uncertain about fatherhood - compounded by his father's disowning him for getting a German girl pregnant - so Titzie sends him packing. He makes attempts at getting it right, but as the birth approaches, he's still not ready. In the background are three thugs in search of good tripe soup and a Capulet-Montegue feud between the kebab joint and a Greek taverna across the street. Can Ibo be the glove upon that hand?
After the defeat of their old arch nemesis, The Shredder, the Turtles have grown apart as a family. Struggling to keep them together, their rat sensei, Splinter, becomes worried when strange things begin to brew in New York City.
The Turtles and the Shredder battle once again, this time for the last cannister of the ooze that created the Turtles, which Shredder wants to create an army of new mutants.
The four turtles travel back in time to the days of the legendary and deadly samurai in ancient Japan, where they train to perfect the art of becoming one.
Film in three segments. In the first, father is suspicious about his son's masculinity. The second one shows a Don Juan-like guy who, at church for his own wedding, cannot remember who the bride might be.
Adaptation of a Strindberg play by Lee Grant for the 1974 AFI Directing Workshop for Women. Restored in 2022 by the Academy Film Archive and The Film Foundation.
An extended dream sequence presents a biblical allegory about the creation, downfall and rebirth of humanity, told through a series of surrealistic vignettes and musical numbers.
Episode from the documentary series Paraskinio, dedicated to Mimis Fotopoulos, who speaks about his life and work in a monologue in front of the camera, likely improvised.